Inda Eaton’s “Go West,” and How To Choose a Mastering Engineer

Photo of Inda Eaton in ConcertInda Eaton is a globe-trotting singer-songwriter-performer-bandleader now based in eastern Long Island. Her music has found favor with fans of rock ‘n’ roll, country, and acoustic music all over the world since she started touring behind her first album “Thin Fine Line” in 1996. Her latest album, “Go West,” was recorded by Cynthia Daniels at Monk Music Studios and mastered by Randy Merrill and is set for release on June 15, 2012. Inda took some time out of her busy pre-release schedule to fill us in on some of the details of her new project.

Hi Inda, thanks for taking some time for The Masterdisk Record. That’s a great video you have on your site on the recording of your new album [below]. I like how you’ve talked about the music as illustrating a feeling of anticipation — of something new coming up “around the bend.”

I try to be in the moment – but I can’t help but think that there’s something greater around the corner…it’s quite possibly an American thing.

You worked with (engineer and studio owner) Cynthia Daniels on “Go West” — how did you choose to work with her on this project?

Cynthia is a good friend and kick ass engineer who had just finished her state-of-the-art John Storyk studio in time to track “Go West.” Cynthia and Eve Nelson (piano/co-producer) had worked together on Chaka Khan’s ClassiKhan album and have a great working relationship. “Go West” has Cynthia’s fingerprints all over it. A great engineer cannot be overlooked: the vibe, the room, the competence. Cynthia has seen it all. We were in great hands. Beyond that – we had a great time.

How long have the songs on “Go West” been around?

“Go West” was written in three writing chunks with the last song being completed on the morning of the first day of tracking. Most of the songs had live “show life” to let them breathe. I taped every live show for the past three years to listen back for the cool stuff that only happens in the moment. I came to the conclusion that we needed to track all the songs live in a live room. There’s no substitute for musicians tracking together, looking at each other, feeling each other out and playing the energy. All of the songs were written with live, seemingly out-of-control performance energy in mind.

Cover art for Inda Eaton's Go West albumThat’s an interesting process — taping all the shows and learning from them. A very methodical way of seeking out something that’s very wild and hard to capture. Are you more methodical or spur-of-the-moment as an artist?

I’m more spur-of-the-moment improv with a great blueprint in the background. I prepare and analyze, but when on the stage – it will be what it will be. I didn’t know this when I was younger. Now I get it – it’s freeing. “Go West” is a direct result of controlled chaos.

How did you choose Randy Merrill to master “Go West?”

When I came back from mixing the tracks at Eve Nelson’s studio in LA – we needed a mastering engineer and didn’t know where to begin. The recommendations were flying around, but they didn’t fit the project. Other than sitting in on some sessions for past projects, I didn’t really know much about mastering and so I ended up charting the history of mastering since 1973 and came up with the coaching tree. I found out that many of the original mastering gurus are still working and the the history traces back to very simple roots. In an ideal world – I wanted someone from the 2nd generation of mastering engineers that I could relate to with a mutual understanding and respect for creating an album – not a collections of songs on a disk. I found Randy Merrill immediately on the Masterdisk website and then his name kept popping up on blogs/chats about mastering. From there we had a discussion about the intention of the music and our shared background of growing up with albums…I knew he was the right one. Randy knocked it out of the park. I truly believe that he is heading toward the path of mastering guru for our generation. I’m glad that I got in the door early.

I wish everybody approached finding a mastering engineer the way you did! Honestly, that’s one of the best stories I’ve heard. So what’s next on your schedule? The album release is set for June 15 — is there a tour? Promotions?

Currently we are about to launch a crowdfunding campaign on Kickstarter to sell pre-orders, house concerts and all kinds of value to get the promotion off the ground. Our next official date is June 15th for the release and concert out here in Amagansett at the Stephen Talkhouse. We were just out west in Wyoming for a sneak preview at the prison, schools, clubs and art council – the response was overwhelming. This summer is all about spreading the word with shows, radio, print, handshakes, hugs and barbeques. The ‘Go West’ release will be as organic as it was created. ‘Studio to Stage’…’Go West’ is all about the live interaction.


Visit Inda on the web at indaeaton.com.
Inda on Facebook: facebook.com/inda.eaton

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